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Billy Bogus & Max Paparella - Tensione Casio

from Tensione Casio by Billy Bogus, Max Paparella

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  • Limited Edition 7" Vinyl - Billy Bogus & Max Paparella
    Record/Vinyl + Digital Album

    Tensione Casio is a record/project entirely devoted to a “cinema di genere” / genre cinema which no longer exists but still keeps being referred to nowadays: from Umberto Lenzi’s car chases (strictly on Alfetta), to Lucio Fulci’s visual deliriums and more, from Riz Ortolani’s illusory relaxations to Augusto Martelli’s detours on the theme. Directors who blends and get confused with their composers bringing about a precise iconography, a layered universe of sounds and images.

    Includes unlimited streaming of Tensione Casio via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €1.50 EUR  or more

     

  • Full Digital Discography

    Get all 21 Pizzico Records releases available on Bandcamp and save 40%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Agguato Caraibi, Tensione Casio, VHS Memories (More Tape Remixes), Live set from the House, Simple State, Guirlande, Noche a Bahia / Dalì Remixes, Svengali, and 13 more. , and , .

    Purchasable with gift card

      €62.10 EUR or more (40% OFF)

     

about

The fuzz is inspired by Morricone (going back to films like “La Stagione dei Sensi” or the bizarre “Escalation” by Roberto Faenza) while drums, phaser and synthesizers swing between Goblin and John Carpenter searching for the ultimate “main theme”, among the ruins of a foggy groove and suspended vocals.

credits

from Tensione Casio, released June 12, 2021
BILLY BOGUS Sampler – Misc Synths
MAX PAPARELLA Hammond - Arp Odissey - Roland Jupiter DARIO CASILLO Moog - Juno 106
IGI CASELGRANDI Drums - Percussions

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about

Pizzico Records Italy

2007 born Pizzico avails itself of politically uncorrect aesthetics to sound the dramatic and obscure sides of last decades, from darkest double identities of the 80’s to pleasant soul decadences of the 90’s, looking forward trying to reach for the good sound, starting from the assumption that all the true art on earth is dirty and torbid, even if it makes you perceive a foreshortening of the sun. ... more

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